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English Practice Exam · englishpracticeexam.com

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الموقع من تطوير S-Block TechnologiesS-Block Technologies
  1. الرئيسية
  2. /
  3. Cambridge
  4. /
  5. C2 Proficiency
  6. /
  7. الجزء 7
  8. /
  9. اختبار تدريبي
C2Reading and Use of Englishالجزء 7

Multiple matching

You are going to read an extract. For questions 1-10, choose from the sections (A-E). The sections may be chosen more than once.

In Praise of the Unshowy: Why Quiet Design Is Suddenly Loud

The rise of ‘quiet design’ in everyday technology and public spaces

The Aesthetic of Restraint

For years, product design has behaved like a peacock: glossy finishes, aggressive branding and a performative ‘look at me’ confidence. The current fashion for ‘quiet design’—devices and spaces that do not clamour for attention—feels, at first glance, like a welcome corrective. It is hard not to admire a phone that sits unobtrusively on a desk, or a public building whose signage is legible without shouting. Yet I’m slightly suspicious of how quickly restraint has been repackaged as luxury. A matte casing, a muted interface, a near-silent motor: these are being sold not merely as sensible choices but as moral ones, as though conspicuousness were a character flaw. The irony is that understated design can be just as status-driven as flamboyance; it simply signals membership of a different club—one that has the time and money to curate ‘simplicity’. Still, I can’t deny the relief of environments that lower the cognitive temperature. If quiet design is a trend, it is at least a trend that acknowledges we are exhausted by constant stimulation.

Questions
Select section:
ABCDE
1.

Which section describes a reaction that is largely positive about reduced visual noise, yet questions the way ‘simplicity’ is being marketed as a badge of virtue and wealth?

2.

Which section mentions that making signage or interfaces look refined can actively disadvantage people who rely on clarity, especially in high-pressure situations?

3.

In which section does the writer suggest that ‘quietness’ can be used as a convenient distraction from deeper, ethically questionable systems?

4.

Which section draws a contrast between genuine, well-engineered restraint and the cheaper strategy of simply removing features—often while charging customers more?

5.

Which section expresses concern that the language used to justify this design trend sometimes borrows scientific-sounding claims in an overconfident or misleading way?

6.

Which section provides the idea that the success of ‘quiet’ products or buildings depends less on the original concept and more on ongoing upkeep and repair?

7.

Which section suggests that understated design can still function as social signalling—just aimed at a different audience from flashy branding?

8.

Which section mentions a shift in the writer’s own viewpoint, moving away from wholehearted advocacy after seeing how quickly a ‘pure’ minimalist project deteriorated?

9.

Which section argues that reducing sensory demands can be genuinely helpful, but warns that ‘less’ is not automatically ‘better’—especially when it turns into a superiority test for users?

10.

Which section notes an encouraging public-sector move towards low-key improvements—projects that aren’t showy but make everyday experience feel smoother?

0 of 10 answered

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